What Seedance 2.0 Reference actually does
Seedance 2.0 is a video generation model. What makes the Reference mode powerful for campaign work is that it doesn't generate from scratch, it generates from your images. You give it real reference photos, tell it what each one is for, and it builds motion around them while holding your product, your model, and your look consistent across the shot.
For a jewelry brand, that's the whole game. The piece has to stay exactly right, the same stone, the same setting, the same metal, in every frame. Reference mode is what locks that.
A few things to know before you start:
1. 15 seconds per generation, max. If your film is 30 or 60 seconds, you build it as separate 15-second segments and cut them together in your editor. Each segment is its own prompt.
2. It follows direction well when the direction is specific. Timestamped, shot-by-shot prompts produce clean results. Vague prompts produce mush. That's why we use the Claude prompt at the bottom, it writes the structured version for you.
3. Realism comes from imperfection. The model looks fake when it's too clean. Good editorial prompts actually ask for handheld shake, real grain, natural light, and imperfect framing. Counterintuitive, but it's what makes it read as a real shoot.
Step 1 — Your reference images are everything
This is the part that decides whether your film looks like a campaign or looks like AI. The model can only be as good as what you feed it. Great references in, great film out. Weak references in, no prompt saves it.
** What makes a strong editorial reference: **
Real photography quality. Sharp, well-lit, intentional. The lighting and mood of the reference carry straight into the video
Clean, uncluttered framing so the model reads the subject clearly
The actual product, shot well. For jewelry: crisp, close, the stone and setting clearly visible
4.Consistent aesthetic across your references so the film feels like one world
You have two ways to get them:
**A. Pull from your shoot ** If you've already shot the campaign, your best frames are your references. A clean product shot, a portrait of your model, an environment still. This is ideal because it's real and it's yours.
B. Generate them in Ophelia. Not shot yet? Create your references first. Generate an editorial-quality product shot, a model, an environment, in the exact style you want, then use those as your Seedance references. This is how you campaign before a single camera goes up.
Lock a separate reference for each thing that recurs:
The product (the piece must match exactly, every frame) The model or character (same face, same wardrobe, same hair, no drift) The environment or style (used for lighting and mood, not content)
Step 2 — Don't overload the references
The most common mistake: throwing in every image you have. More references is not better. Each one you add is another thing the model has to reconcile, and they start fighting each other.
Give it only what the shot actually needs:
The product for that shot The person, if one appears One style/environment reference for mood
If a shot doesn't need the model, don't include the model. Scope each reference to a clear role and keep the set tight. A focused three-reference shot beats a muddy eight-reference one every time.
Step 3 — Generate the prompt with Claude
Seedance rewards precise, structured, timestamped prompts, and writing those by hand is tedious. So you don't. You paste the prompt below into Claude, fill in your project details, and it writes the full Seedance prompt for you, structured correctly, with the negative prompt and settings line included.
Then you take what Claude gives you, paste it into Ophelia with your references, and generate.
COPY THE BELOW INTO CLAUDE
4. Generate in Ophelia
Open Ophelia, toggle Seedance 2.0 Reference
Upload your references, in the same order you declared them to Claude (@image1, @image2…)
Paste the Seedance prompt Claude gave you
Set your Aspect ratio (9:16 (reel), 16:9 (landscape)) and quality (1080p)(sometimes its best to do 480p first as its cheaper to see if it will adhere to what you want, if it is then change ton 1080p later.)
Generate, then rerun for the best take
If your film is over 15s, repeat per segment and cut them together in your editor